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Showing posts with label Shadowpact. Show all posts
Showing posts with label Shadowpact. Show all posts

Thursday, April 1, 2010

Review: Reign in Hell trade paperback (DC Comics)

"Ambitious" is at least one word I'd use to describe writer Keith Giffen's Reign in Hell. Over eight issues, Giffen builds a complex and fully realized architecture for the DC Comics concept of Hell, and in doing so helps to describe the often vague rules for magic in the DC Universe. On top of that, Giffen populates Reign in Hell with a who's who of DCU characters: some mystical, some forgotten, and at least one -- this writer posits -- there just because Giffen wrote the story. Reign in Hell is not an instant classic, but without question it demonstrates Giffen's versatility.

[Contains spoilers for Reign in Hell]

I associate Keith Giffen, perhaps unfairly, with Justice League International and Lobo; as such, when he writes something more serious like Reign in Hell, it takes me by surprise (even thought Giffen's Legion was plenty serious at times). But even as Reign still contains some of Giffen's trademark banter between the heroes, the book's main combatants -- Neron on one side, and Satanus and Blaze on the other -- speak to each other in terms of "open petition," the "unspoken principum," and detailed strategy of war. It gives the book a tone of fantasy that not only have I never seen before from Giffen, but that's rare in the DC Universe as a whole, and I wonder if Reign in Hell will find some fans in this way.

Notable also here is the art team of Tom Derenick and Bill Sienkiewicz. Derenick's work isn't always my favorite, but he became synonymous with Shadowpact over the course of that series, so I'm glad to see he tackles those characters again here. Sienkiewicz is an artist that, because of his unusal, sketchy style we don't see as often on DC Comics, but when he appears, his inks transform the pencillers' style into a great amalgam of the penciller and Sienkiewicz's own. In this case, Sienkiewicz's dark, moody inks work perfectly with Derenick to create something that looks familiar and at the same time omnious enough for this story.

DC's done a lot of work on their mystical characters since just before Infinite Crisis; the same is true of their cosmic characters. Since that time, we've had a couple of Day of Vengence specials, the Shadowpact series, and mystical tie-ins to Final Crisis. It seems this era is just about over; whereas Jim Starlin's cosmic miniseries continue in spirit in REBELS and Green Lantern, Shadowpact's been cancelled and Reign feels like a last hurrah for these characters. As such, we see Blue Devil, Enchantress, Nightshade, and Detective Chimp here; also Zatanna, the angel Zauriel, Captain Marvel, Etrigan, the new Sargon and Ibis from the Helet of Fate miniseries, Black Alice, and more. Essentially, and impressively, everyone who's appear in DC's mystic revival over the past few years appears here, and Giffen does well in giving them all roles to play.

I also enjoyed that Giffen includes a number of varied aspects of DC Comics continuity in this story. Giffen has Etrigan reference War of the Gods, of all things, a nearly forgotten Wonder Woman crossover from over ten years ago; similarly Giffen makes good use of a drug introduced in one of the least notable Satanus storylines from Superman some years back as well. He brings in Linda Danvers, the all but forgotten Supergirl from the Peter David series, and even gives a nod to that series connection to David's Fallen Angel. At the same time, I felt a pivotal scene between Blue Devil and Etrigan could have been greater if it had acknowledged the two had met in Shadowpact not more than a year or so ago; there's also a terribly confusing sequence where Zatanna learns her father Zatara is alive in Hell, but no one except the reader seems very surprised by this.

For all my awe over Reign in Hell, I'll acknowledge it's not exactly my cup of tea. I like Shadowpact and DC's mystic revival, but Shadowpact's tone was one of supernatural, not fantasy. The Shadowpact were superheroes who fought bad guys with magic, whereas Reign is more swords and sorcery; I like complicated comics, and Reign has eight issues worth of lots of detailed dialogue, but it's not exactly the kind of thing that holds my interest. The somewhat incongruous appearance of Lobo here (perhaps in DC's belief that Giffen plus Lobo equals sales) doesn't temper the tone, nor does the noir Dr. Occult back up series that never quite seems necessary. I appreciated Reign in Hell's scope as a miniseries and as a finale, but I don't think I'd necessarily follow it as an ongoing series.

Reign in Hell ended for me on a promising note, with my favorite of the three contenders for ruler of Hell victorious. Aside from one appearance in Teen Titans, though, I don't know how soon we'll see this story continued, and maybe it ought lay fallow for now; this is a good conclusion for a run of DC's mystical heroes that lasted maybe longer than I would have expected, and maybe it'll do the property good to let it rest for a while now.

[Contains full and variant covers]

Monday, March 2, 2009

Review: Shadowpact: The Burning Age trade paperback (DC Comics)

[Contains spoilers for Shadowpact: The Burning Age]

A few years ago I would have thought it as unlikely that I'd be enjoying space-centered DC Comics titles as I would enjoying a magic-centered title, an accomplishment I attribute to DC's careful roll-out of Rann-Thanagar War and Day of Vengeance around Infinite Crisis. Day of Vengeance, of course, grew into the ultra-accessible Shadowpact, which ends on the highest of notes with Shadowpact: The Burning Age.

Bill Willingham portrayed the disparate teammates of the Shadowpact as such fun characters that I enjoyed every issue, even when his writing didn't quite mesh for me. In Burning Age, however, writer Matt Sturges both preseves Willigham's tone, betters the pacing, and adds a healthy dose of humor that raises the story to near-perfection; I'd have gladly read another Shadowpact collection from Sturges.

My favorite Shadowpact character all along has been Blue Devil (sorry, Detective Chimp!), and Sturges seems to understand Shadowpact-leader Nightmaster's previous claim that Blue Devil is the heart of the team. In The Burning Age's grand finale, as Shadowpacts from three eras come together to fight the armageddon-level threat of the Sun King, Sturges parallels this with the simple fight between Blue Devil and his brother for the soul of his family, offering a touch of humanity (and 1980s Blue Devil nostalgia) amid all the chaos.

Sturges' story is filled with little touches like these. He resurrects, for instance, the nascent romance between Ragman and Nightshade that we saw just briefly in Day of Vengeance before it disappeared. Similarly, even as Sturges didn't present much to really define the characters of the past and future Shadowpacts, he offered a quick scene that hinted at the Warlock's Daughter's role in a future Shadowpact that made the time-lost characters come alive. I also appreciated Sturges' use of Phantom Stranger, who's hidden in the background of this title since the beginning and whose speech at the end really tied together all the issues of the series. And while I might have enjoyed seeing the complete Shadowpact, including the absent Nightmaster in the final pages, I thought Nightmaster's resignation from the Shadowpact in the first half of the book gave the final chapters a greater sense of the Shadowpact coming into its own.

I'm surprised at how sorry I am to see Shadowpact go, though I'm happy that some of the characters will appear in Keith Giffen's forthcoming Reign in Hell. As with Jim Starlin's cosmic tales, it may be that DC has more success with the magic heroes in a series of connected specials, rather than an ongoing series. In terms of trade reading, there isn't much difference between a miniseries and an ongoing title (there may even be some benefit), and if more Shadowpact is what comes out of it, I'm all for it.

[Includes full covers]

You voted, and Uncle Sam and the Freedom Fighters: Brave New World was the review you wanted to see next. Coming up; stay tuned!

Monday, October 13, 2008

Review: Shadowpact: Darkness and Light trade paperback (DC Comics)

Sure, continuity errors also come from the serial nature of comic book storytelling, but one of the great joys of the medium is to see one writer pick up the threads of an earlier writer's story and run with it, answering questions and deepening the story in an interesting and cooperative way. Such is the case with Shadowpact: Darkness and Light, where thirteen years after Mark Waid's Underworld Unleashed, Bill Willingham (with Matt Sturges) re-examines the events that lead Blue Devil to sell his soul to the demon Neron in exchange for fame and fortune. Darkness and Light is hardly a perfect story, but Willingham continues to make the characters remarkably interesting.

Blue Devil's penance for selling his soul to Neron, and causing the death of his friend Marla, has been long in coming, and I've been thrilled to see this addressed in Teen Titans and now in Shadowpact. The press conference Blue Devil held was something I frankly thought I'd never see; Blue Devil's new quest now to free himself of his demonic possession even more so.

Blue Devil, at base, is similar to Booster Gold in his heroing-for-money, but we've long since seen him come around to being a genuine superhero, and when Nightmaster calls him "the heart" of the Shadowpact, Willingham pegs Blue Devil exactly. One of the best things about Shadowpact has been having Blue Devil back from limbo, and I'm hoping he ends up somewhere else after the pending cancellation of the series.

Indeed, all the Shadowpact characters again shine in this trade. Detective Chimp didn't have much to do last time around, but here he calms a schoolbus full of endangered children in a charming scene. I've never felt Willingham adequately fleshed out Enchantress nor Nightshade, but Nightshade gets some impressive moments with her powers (nearly saving all of Chicago), and Enchantress's new mentoring of Warlock's Daughter is quite interesting. I very much liked the scene where Nightmaster recruited the angel Zauriel to the team in Blue Devil's absence, and how Blue Devil's teammates protested Blue Devil's departure.

The only Shadowpact character that's seemed to have fallen away is Ragman. Originally one of my favorites, Rory spent most of the last trade on the sidelines, and here he spends most of his time moping about not being effective enough in battle. I hope that while Rory and Nightmaster are trapped in Nighshade's dimension, Rory will find himself with more to do. He's a character, like Blue Devil, that I wouldn't mind seeing join another team once Shadowpact ends.

Darkness and Light contains two stories, "The Redemption Contract" and the titular "Darkness and Light." Each of these are fairly decompressed, centered around the Shadowpact fighting their nemesis Dr. Gotham in stories that might've filled just one or two issues, not three each. Both Willingham and Sturges pad the stories with a bunch of subplots (Blue Devil's story, mostly), such that the readers still gets plenty of story pages for their money, but you might look back in the end and be surprised that more didn't happen.

Willingham also still has the tendency to switch madcap between scenes (often a page at a time) that's absolutely dizzying. There's also plenty of extraneous dialogue; "Let me extend you to this bus," Nightshade tells Detective Chimp as she does just the same in the panel. There's also a page with the Justice League and the Shadowpact at the end of the third chapter where the heroes blithely summarize the adventure, in a page that might've best been used for something else.

There's a nice similarity between Willingham and Sturges's writing styles that makes Darkness and Light an even read despite the two writers. At the same time, there's some variety in the artists here; Tom Derenick handles most of the art, and Phil Winslade's style in the end is very similar. In the middle, however, we get an issue by Doug Braithwaite that looks almost painted, and it's a great spooky style for Shadowpact. I don't see any more of Braithwaite's art coming up in this series, but I would've been happy to see it.

[Contains full covers.]

Shadowpact ends after the next trade, and I'm sorry to see it happen. After I review the next one, I'll talk a bit more about how I think DC could keep Shadowpact going, despite its untimely end.

More reviews coming soon!

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